EDIT PAGE - Mod Target List
A “Modulation Target” is a parameter that can be controlled by a source. “Target” is another word for “Destination”. Trilian has an extensive set of nearly fifty different modulation targets available. They are grouped into six categories:
Oscillator
Pitch Coarse – The coarse tuning of the oscillator’s pitch (polyphonic)
Pitch Fine – The fine-tuning of the oscillator’s pitch (polyphonic)
FM Frequency – The frequency of the dedicate FM modulator (polyphonic)
FM Depth – The depth of the FM modulator (polyphonic)
Harmonia Mix – The blend of the Harmonia voices with the primary Oscillator (polyphonic)
Sample Timbre – The Sample Timbre parameter in the Oscillator (polyphonic)
Sample Start – The Sample Start parameter in the Oscillator (polyphonic)
Filter
Cutoff – The Filter’s cutoff frequency (polyphonic)
Resonance – The Filter’s Resonance amount (polyphonic)
Filter Mix – The mix between Filter1 and Filter2 (monophonic)
Spread – The Filter’s Spread control value (monophonic)
Filter 1 Cutoff Offset – The Filter 1 cutoff offset value (monophonic)
Filter 2 Cutoff Offset – The Filter 2 cutoff offset value (monophonic)
Filter 1 Res Offset - The Filter 1 Resonance offset (monophonic)
Filter 2 Res Offset - The Filter 2 Resonance offset (monophonic)
Filter 1 Spread – The Filter 1 spread (monophonic)
Filter 2 Spread – The Filter 2 spread (monophonic)
Amp
Amplitude* – The amplitude level (polyphonic)
Pan – The stereo panning control (polyphonic)
LFO
LFO1 Rate – The speed of LFO1 (monophonic)
LFO1 Depth – The amount of LFO1 (monophonic)
LFO2 Rate – The speed of LFO2 (monophonic)
LFO2 Depth – The amount of LFO2 (monophonic)
LFO3 Rate – The speed of LFO3 (monophonic)
LFO3 Depth – The amount of LFO3 (monophonic)
LFO4 Rate – The speed of LFO4 (monophonic)
LFO4 Depth – The amount of LFO4 (monophonic)
LFO5 Rate – The speed of LFO5 (monophonic)
LFO5 Depth – The amount of LFO5 (monophonic)
LFO6 Rate – The speed of LFO6 (monophonic)
LFO6 Depth – The amount of LFO6 (monophonic)
Envelope
Amp Env Attack Trim* – The relative AMP Attack time (polyphonic)
Amp Env Decay Trim* – The relative AMP Decay time (polyphonic)
Amp Env Release Trim* – The relative AMP Release time (polyphonic)
Amp Env Speed – The speed of the Amplitude Envelope
Filter Env Attack Trim* – The relative Filter Attack time (polyphonic)
Filter Env Decay Trim* – The relative Filter Decay time (polyphonic)
Filter Env Release Trim* – The relative Filter Release time (polyphonic)
Filter Env Depth – The amount of the Filter Envelope
Filter Env Speed – The speed of the Filter Envelope (monophonic)
Mod Env1 Depth – The amount of Mod Envelope1 (monophonic)
Mod Env1 Speed – The speed of Mod Envelope1 (monophonic)
Mod Env2 Depth – The amount of Mod Envelope2 (monophonic)
Mod Env2 Speed – The speed of Mod Envelope2 (monophonic)
Morphing Modulation
Morphing Input A – Explained in the Morphing Modulation section
Morphing Input B – Explained in the Morphing Modulation section
Morphing Input A/B Xfade – Explained in the Morphing Modulation section (monophonic)
* These parameters appear exclusively within the Modulation Matrix and are not seen on the GUI.
NOTE: The following Modulation Targets appear on the Target list, but are grayed out and not accessible from within Trilian. They are there for compatibility with Omnisphere’s Library Integration feature.
Unison Detune - The amount of detuning of Oscillator unison voices (monophonic)
Unison Depth - The amount of Oscillator Unison voices added (monophonic)
Ring Mod Frequency - The frequency of the Ring modulator (polyphonic)
Ring Mod Depth - The amount of Ring Modulation (polyphonic)
Waveshaper Depth - The amount of Oscillator Waveshaping (polyphonic)
Waveshaper Mix - The blend of the waveshaping signal (polyphonic)
Sample Granular Intensity - The size/intensity of the sample grains (monophonic)
Sample Pitch Grains - The probability of Granular pitch grains (monophonic)
Synth Shape - The Synth Oscillator’s shape (polyphonic)
Synth Hard Sync - The Synth Oscillator’s Hard Sync (polyphonic)
Synth Symmetry - The Synth Oscillator’s Symmetry (polyphonic)
Synth Phase - The Synth Oscillator’s Phase control (polyphonic)
Synth Analog - The Synth Oscillator’s Analog control (polyphonic)